"Miró: I. Gota de agua sobre la nieve rosa" by Tomás Marco, Cello Octet Conjunto Ibérico, Elias Arizcuren had its release date on January 1, 1997. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Miró: I. Gota de agua sobre la nieve rosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cello Octet Conjunto Ibérico, Elias Arizcuren's "L. de Pablo, T. Marco, J. L. Turina & C. Halffter: Spanish Contemporary Works for Cello Ensemble" album is number 2 out of 7. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Miró: I. Gota de agua sobre la nieve rosa is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miró: I. Gota de agua sobre la nieve rosa by Tomás Marco, Cello Octet Conjunto Ibérico, Elias Arizcuren to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Caprices, Op. 25: No. 1. Allegro quasi presto | Alfredo Piatti, Soo Bae | G Minor | 2 | 6A | 141 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
God Save the King (Arr. for Cello & Piano) | Traditional, Steven Isserlis, Connie Shih | D Major | 0 | 10B | 65 BPM | ||
Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue | Johann Sebastian Bach, Mstislav Rostropovich | G Minor | 0 | 6A | 77 BPM | ||
Sarcasms for Piano, Op. 17: III. Allegro precipitato | Sergei Prokofiev, Daniil Trifonov | F Minor | 3 | 4A | 106 BPM | ||
Tarots: No. 19. Le soleil | Tomás Marco, Juan Carlos Laguna | F Major | 2 | 7B | 111 BPM | ||
Harp Concerto, Op. 25: II. Molto moderato | Alberto Ginastera, Xavier De Maistre, Bertrand de Billy, Vienna Radio Symphony Orchestra | C Major | 0 | 8B | 78 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM |