Johann Sebastian Bach, Mstislav Rostropovich's ' "Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue" was released on its scheduled release date, 1995. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 7 in Bach: Cello Suite No. 2 in D Minor, BWV 1008 by Johann Sebastian Bach, Mstislav Rostropovich. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue by Johann Sebastian Bach, Mstislav Rostropovich is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Colin Tilney, Christophe Rousset, Davitt Moroney, Christopher Hogwood, Academy of Ancient Music | A♭ Minor | 4 | 1A | 109 BPM | ||
Lalo : Cello Concerto in D minor : II Intermezzo | Édouard Lalo, Frédéric Lodéon, Philharmonia Orchestra, Charles Dutoit | G Major | 1 | 9B | 78 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 58 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, London Philharmonic Orchestra | E Minor | 1 | 9A | 137 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 19 in E Flat | Niccolò Paganini, Itzhak Perlman | E♭ Major | 2 | 5B | 146 BPM | ||
Bach, JS: Cello Suite No. 3 in C Major, BWV 1009: III. Courante | Johann Sebastian Bach, Mstislav Rostropovich | C Major | 0 | 8B | 142 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Cello Concerto In C Major, Hob.VIIb:1: 3. Finale | Franz Joseph Haydn, Pierre Fournier, Lucerne Festival Strings, Rudolf Baumgartner | E♭ Major | 2 | 5B | 138 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): III. Andante | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | B Minor | 0 | 10A | 180 BPM |