Béla Bartók, Irene Cantos's 'Three Hungarian Folksongs from Csík Sz. 35A: 2. At the Jánoshida Fairground' came out on March 12, 2024. With Three Hungarian Folksongs from Csík Sz. 35A: 2. At the Jánoshida Fairground being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 34 in Echos. Piano Works by Beethoven & Rachmaninoff by Irene Cantos, Ludwig van Beethoven, Sergei Rachmaninoff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Three Hungarian Folksongs from Csík Sz. 35A: 2. At the Jánoshida Fairground is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Three Hungarian Folksongs from Csík Sz. 35A: 2. At the Jánoshida Fairground by Béla Bartók, Irene Cantos is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces froides / II. Danses de travers: 1. En y regardant à deux fois | Hélène Grimaud | A Minor | 0 | 8A | 72 BPM | ||
Orphée - Arr. for Piano duet / Act 2: IX. Le retour d'Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 75 BPM | ||
6 Pieces, Op. 51: Valse Sentimentale, Op. 51, No. 6 | Pyotr Ilyich Tchaikovsky, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
Lieder, Op. 49: No. 4, Wiegenlied (Arr. Solo Piano by Grainger) - Duo-Art 67180 | Johannes Brahms, Peter Phillips, Percy Grainger | E♭ Major | 0 | 5B | 83 BPM | ||
V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto | Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano | G Major | 0 | 9B | 89 BPM | ||
Landler (Tirolese) - Duo-Art 6110 | Giovanni Sgambati, Peter Phillips, Winifred Byrd | E♭ Major | 2 | 5B | 71 BPM | ||
Carnaval, Op.9: 2. Pierrot | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Lyric Pieces Book III, Op.43: 1. Butterfly | Edvard Grieg, Andrei Gavrilov | E Major | 1 | 12B | 71 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM |