"Orphée - Arr. for Piano duet / Act 2: IX. Le retour d'Orphée" by Philip Glass, Katia Labèque, Marielle Labèque was released on February 23, 2024. The duration of Orphée - Arr. for Piano duet / Act 2: IX. Le retour d'Orphée is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Orphée - Arr. for Piano duet / Act 2: IX. Le retour d'Orphée's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philip Glass, Katia Labèque, Marielle Labèque's "Glass: Cocteau Trilogy" album is number 9 out of 30. On top of that, Italy appears to be the country where this track was created. Orphée - Arr. for Piano duet / Act 2: IX. Le retour d'Orphée is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orphée - Arr. for Piano duet / Act 2: IX. Le retour d'Orphée by Philip Glass, Katia Labèque, Marielle Labèque to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ragtime | Igor Stravinsky, Marielle Labèque | C Major | 0 | 8B | 143 BPM | ||
Prélude in E-Flat Minor, Op. 11, No. 14 | Alexander Scriabin, Julius Asal | F Minor | 0 | 4A | 68 BPM | ||
The Time Curve Preludes: No. 1 | William Duckworth, Marielle Labèque | A♭ Major | 4 | 4B | 110 BPM | ||
Sea Pieces, Op. 55: No. 6, from the Depths | Edward MacDowell, Harold Bauer, Peter Phillips | B♭ Major | 0 | 6B | 70 BPM | ||
Wiegenlied No. 4 Lullaby in E Flat Major, Op. 49 - Strings Version | Classical Music for Cats | B Minor | 2 | 10A | 77 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
Etude No.13 (Bonus Track) | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Luca Delle Donne | F Major | 0 | 7B | 133 BPM | ||
Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major | Franz Schubert, Michael Endres | A♭ Major | 0 | 4B | 73 BPM |