Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf's 'Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 9, Prometheus' came out on January 1, 2016. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 9, Prometheus is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 9, Prometheus by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, Hob. XVI: 13: II. Minuet | Joseph Haydn, Chen Xueyuan | E♭ Major | 2 | 5B | 151 BPM | ||
Pender Island | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Abendsegen, aus "Hänsel und Gretel" | Engelbert Humperdinck - Composer, Antonia Bourvé, Maria Rebekka Stöhr, Nadine Schuster | D Major | 1 | 10B | 73 BPM | ||
Requiem, Op. 9: Kyrie | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | F Major | 2 | 7B | 114 BPM | ||
Oi Herra, korkein valtiaamme | SRK Instrumentaali, Lumme Brass, Lauri-Kalle Kallunki, Lauri Pelkonen | C Major | 1 | 8B | 128 BPM | ||
Missa Popularis: III. Credo | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 1 | 7B | 73 BPM | ||
Cantate 78: Wir Ellen Mit Schwachen | Natalie Choquette | B♭ Major | 2 | 6B | 127 BPM | ||
Mini Air | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Nachtlied, Op. 138, No. 3 | Max Reger, Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM |