"Abendsegen, aus "Hänsel und Gretel"" by Engelbert Humperdinck - Composer, Antonia Bourvé, Maria Rebekka Stöhr, Nadine Schuster was released on November 28, 2014. The duration of Abendsegen, aus "Hänsel und Gretel" is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Abendsegen, aus "Hänsel und Gretel"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Meinem Kinder: Wiegenlieder Aus Aller Welt" album is number 1 out of 28. Abendsegen, aus "Hänsel und Gretel" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abendsegen, aus "Hänsel und Gretel" by Engelbert Humperdinck - Composer, Antonia Bourvé, Maria Rebekka Stöhr, Nadine Schuster to be Adagio (slowly with great expression) because the track has a tempo of 73 テンポ, a half-time of 36テンポ, and a double-time of 146 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir, BWV 508 | Johann Sebastian Bach, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 73 BPM | ||
The Seal Lullaby | Eric Whitacre, Voces8, Lavinia Meijer | D♭ Major | 0 | 3B | 63 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": 4e. Allegro assai: "Freude, schöner Götterfunken" - Live - Remastered | Ludwig van Beethoven, June Anderson, Sarah Walker, Klaus König, Jan-Hendrik Rootering, Members of the Staatskapelle Dresden, Members of the Kirov Orchestra, Leningrad, Members Of The London Symphony Orchestra, Members Of The New York Philharmonic, Members of the Orchestre de Paris, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus, Berlin Radio Chorus, Members, Dresden Philharmonic Childrens Chorus | G Major | 2 | 9B | 79 BPM | ||
5 Lieder, Op. 48: No. 1, Freundliche vision | Charlotte Hoather | D Major | 1 | 10B | 94 BPM | ||
Hoogmis 'Messer Solennelle': I. Kyrie | Peter Benoit, BRTN Philharmonic Orchestra, BRTN Philharmonic Choir, Donald George, Alexander Rahbari | D Minor | 2 | 7A | 74 BPM | ||
Cantique de J.Racine, Op. 11 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D♭ Major | 0 | 3B | 78 BPM | ||
6 Songs, Op. 48: No. 4. Die Ehre Gottes aus der Natur, "Die Himmel ruhmen des Ewigen Ehre" (arr. C. Reinecke) | Carl Reinecke, Ludwig van Beethoven, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D Major | 1 | 10B | 77 BPM | ||
Come Again | John Dowland, Cantus Thuringia | F♯ Major | 2 | 2B | 112 BPM | ||
Six Moravian Choruses: IV. Parting without Sorrow | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | F Minor | 0 | 4A | 111 BPM |