Pablo de Sarasate, Itzhak Perlman, Lawrence Foster, Royal Philharmonic Orchestra's 'Sarasate: Carmen Fantasy, Op. 25' came out on 1972. Sarasate: Carmen Fantasy, Op. 25 appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Paganini/Sarasate - Violin Works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Sarasate: Carmen Fantasy, Op. 25 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sarasate: Carmen Fantasy, Op. 25 by Pablo de Sarasate, Itzhak Perlman, Lawrence Foster, Royal Philharmonic Orchestra having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in F-Sharp Minor, Op. 1: I. Vivace | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | F♯ Minor | 3 | 11A | 76 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | ||
Swan Lake, Op. 20a, TH 219: Russian Dance | Pyotr Ilyich Tchaikovsky, Joshua Bell, Michael Tilson Thomas, Berliner Philharmoniker | D♭ Major | 1 | 3B | 82 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM |