Gioachino Rossini, Royal Philharmonic Orchestra, Philip Ellis made "Overture, William Tell (Finale)" available on August 3, 2007. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Royal Philharmonic Orchestra's "Last Night of the Proms" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Overture, William Tell (Finale)'s popularity is average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Overture, William Tell (Finale) by Gioachino Rossini, Royal Philharmonic Orchestra, Philip Ellis to be Allegro (fast, quick, and bright) because the track has a tempo of 150 テンポ, a half-time of 75テンポ, and a double-time of 300 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia On British Sea Songs | Sir Henry Wood, Joseph Henry Wood, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 1 | 8B | 80 BPM | ||
Cavatina Figaro | Giacomo Rossi, Helmuth Brandenburg | C Major | 3 | 8B | 61 BPM | ||
Il Barbiere di Siviglia: Di sì felice innesto | Gioachino Rossini, Cesare Sterbini, Giuseppe Valdengo, Hertha Glaz, Salvatore Baccaloni, Jerome Hines, Lily Pons, Giuseppe Di Stefano, Alberto Erede | C Major | 4 | 8B | 143 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Dance Of The Comedians | Bedřich Smetana, Symphony Orchestra Of Canada, Stefanos Karabekos | C Major | 3 | 8B | 76 BPM | ||
Apocalypse Now, The Ride of the Valkyries | City Festival Light Orchestra, Alain Darrout | B Major | 4 | 1B | 97 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
The Entertainer | Scott Joplin, Morten Gunnar Larsen | F Major | 2 | 7B | 160 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM |