Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato

Sergei Prokofiev, Gautier Capuçon, Gabriela Montero
Rhapsody. Cello Sonatas by Rachmaninov & Prokofiev
5:10 2008年1月7日
テンポ
103
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato - Sergei Prokofiev, Gautier Capuçon, Gabriela Montero 情報

音響性
99%
ダンサビリティ
39%
エネルギー
4%
手段性
89%
活気
10%
ラウドネス
60%
話し言葉
3%
価数
15%
人気
ラウドネス
-24.023 dB

まとめ

"Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato" by Sergei Prokofiev, Gautier Capuçon, Gabriela Montero was released on January 7, 2008. With this song being about 5 minutes long, at 5:10, "Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato" by Sergei Prokofiev, Gautier Capuçon, Gabriela Montero is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Rhapsody. Cello Sonatas by Rachmaninov & Prokofiev". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato テンポ

With Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato by Sergei Prokofiev, Gautier Capuçon, Gabriela Montero having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Prokofiev: Cello Sonata in C Major, Op. 119: II. Moderato キー

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Symphony No. 7 in A Major, Op. 92: II. Allegretto by Ludwig van Beethoven, George Szell, Cleveland OrchestraSymphony No. 7 in A Major, Op. 92: II. AllegrettoLudwig van Beethoven, George Szell, Cleveland OrchestraE Minor09A77 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King by Edvard Grieg, Esa-Pekka SalonenPeer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain KingEdvard Grieg, Esa-Pekka SalonenB Minor210A104 BPM
Sarasate: Zigeunerweisen, Op. 20 by Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleSarasate: Zigeunerweisen, Op. 20Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleC Minor15A83 BPM
El sombrero de tres picos, Pt. 1: III. Danza de la molinera by Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasEl sombrero de tres picos, Pt. 1: III. Danza de la molineraManuel de Falla, Carlos Miguel Prieto, The Orchestra of the AmericasD Major110B121 BPM
Symphony No. 3 in C Minor, Op. 78 Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderatoCamille Saint-Saëns, Eugene Ormandy, Philadelphia OrchestraA♭ Major14B109 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) by Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto)Antonín Dvořák, Czech Philharmonic Orchestra, Jiří BělohlávekG Major29B106 BPM
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 by London Festival Orchestra Alfred ScholzCarmen, Opera Suite No. 1: V. Seguedille, Act 1London Festival Orchestra Alfred ScholzD Major010B92 BPM
Ruslan and Lyudmila, Op. 5: Overture by Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander VedernikovRuslan and Lyudmila, Op. 5: OvertureMikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander VedernikovE Minor19A154 BPM
Le roi s'amuse: Final by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: FinalLéo Delibes, Slovak Philharmonic, Ondrej LenardA Minor18A94 BPM
ISRC
GBAYC0703142
レコードレーベル
L-M Records/RCA Records