Emmerich Kálmán, Carl Millöcker, Vienna State Opera Orchestra, Lotte Rysanek, Vienna State Opera Chorus, Franz Bauer-Theussl, Karl Terkal's 'Gräfin Mariza: Ich warte auf das große Wunder/Machen wir's den Schwalben nach' came out on September 1, 2010. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 18 out of 32 in Beliebte Operettenmelodien by Carl Millöcker, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Gräfin Mariza: Ich warte auf das große Wunder/Machen wir's den Schwalben nach is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gräfin Mariza: Ich warte auf das große Wunder/Machen wir's den Schwalben nach by Emmerich Kálmán, Carl Millöcker, Vienna State Opera Orchestra, Lotte Rysanek, Vienna State Opera Chorus, Franz Bauer-Theussl, Karl Terkal is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act I: Finale (Feri, Szilvia, Boni, Miska, Chorus) | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | D Major | 2 | 10B | 127 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
Frau Luna: Berliner Luft - Live | Paul Lincke, Staatskapelle Dresden, Christian Thielemann | E♭ Major | 5 | 5B | 122 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
Gräfin Mariza, Act II: Genug, genug | Emmerich Kálmán, Betsy Horne, Mehrzad Montazeri, Munich Radio Orchestra, Ernst Theis | D♭ Minor | 1 | 12A | 129 BPM | ||
Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM |