"Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur)" by Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire was released on December 22, 2023. Since Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 21 in Berlioz: L'enfance du Christ, Op. 25, H 130 by Hector Berlioz, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) by Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Messe solennelle, H 20: Resurrexit - Original Version | Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Minor | 2 | 5A | 119 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Finale | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 77 BPM | ||
Tristia, Op. 18, H.119: 1. Méditation religieuse, H.56b | Hector Berlioz, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 107 BPM | ||
Concert Waltzes | Carl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops Orchestra | D Major | 1 | 10B | 182 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM |