Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur)

Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire
Berlioz: L'enfance du Christ, Op. 25, H 130
6:45 2023年12月22日
テンポ
88
キー
E Major
キャメロットミュージックキー
12B

リンクを埋め込む

共有

Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) - Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire 情報

音響性
98%
ダンサビリティ
18%
エネルギー
19%
手段性
32%
活気
12%
ラウドネス
62%
話し言葉
4%
価数
4%
人気
ラウドネス
-22.631 dB

まとめ

"Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur)" by Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire was released on December 22, 2023. Since Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 21 in Berlioz: L'enfance du Christ, Op. 25, H 130 by Hector Berlioz, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) テンポ

The tempo marking of Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) by Hector Berlioz, André Cluytens, Choeurs Rene Duclos, Nicolai Gedda, Orchestre De La Société Des Concerts Du Conservatoire is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Berlioz: L'enfance du Christ, Op. 25, H 130, Pt. 2 "La fuite en Égypte": "Les pèlerins étant venus" (Récitant, Chœur) キー

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungThe Firebird (L'oiseau De Feu) - Suite (1919): FinaleIgor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun ChungE Major212B78 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingB♭ Major26B147 BPM
Messe solennelle, H 20: Resurrexit - Original Version by Hector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerMesse solennelle, H 20: Resurrexit - Original VersionHector Berlioz, Gilles Cachemaille, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerC Minor25A119 BPM
Sinfonia in D Major, Sinfonia in D Major, "La Veneziana": III. PrestoAntonio Salieri, Chopin Chamber Orchestra, Winston Dan VogelD Major110B109 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
Symphony No. 1, Op. 25 in D Symphony No. 1, Op. 25 in D "Classical": FinaleSergei Prokofiev, Yuri TemirkanovD Major010B77 BPM
Tristia, Op. 18, H.119: 1. Méditation religieuse, H.56b by Hector Berlioz, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles DutoitTristia, Op. 18, H.119: 1. Méditation religieuse, H.56bHector Berlioz, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles DutoitA Minor08A107 BPM
Concert Waltzes by Carl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops OrchestraConcert WaltzesCarl Maria von Weber, Alexander Glazunov, Johannes Brahms, Hector Berlioz, Erich Kunzel, Cincinnati Pops OrchestraD Major110B182 BPM
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegroCamille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De FranceG Major09B130 BPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro by Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisPiano Concerto No. 2 Op. 102 in F Major: III. AllegroDmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisC Major48B150 BPM
ISRC
FRZ111700651
レコードレーベル
L-M Records/RCA Records