"Cavalleria Rusticana: Intermezzo - Instrumental" by Pietro Mascagni, Andre Kostelanetz, New York Philharmonic was released on November 2, 1989. The duration of Cavalleria Rusticana: Intermezzo - Instrumental is about 3 minutes long, at 3:12. Based on our data, "Cavalleria Rusticana: Intermezzo - Instrumental" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Opera Without Words". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Cavalleria Rusticana: Intermezzo - Instrumental is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalleria Rusticana: Intermezzo - Instrumental by Pietro Mascagni, Andre Kostelanetz, New York Philharmonic having a テンポ of 90 with a half-time of 45 テンポ and a double-time of 180 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sole delle mie giornate | Pietro Mascagni | F Major | 3 | 7B | 94 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Blue Danube Waltz | Andre Kostelanetz | D Major | 3 | 10B | 113 BPM | ||
Pictures at an Exhibition: VII. The Market Place at Limoges | Modest Mussorgsky, New York Philharmonic, Leonard Bernstein | D♭ Minor | 0 | 12A | 111 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Ball Scene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
Symphony No.3 In D Minor / Part 1: 1. - Tempo I - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | F Major | 0 | 7B | 117 BPM | ||
Peter and the Wolf, Op. 67: Andantino, come prima - Meno Mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
La traviata, Act I: Prelude | Giuseppe Verdi, Sofia Symphony Orchestra, Vassil Stefanov | B Major | 0 | 1B | 113 BPM | ||
Symphony No. 2 in B-Flat Major, D.125: I. Largo — Allegro vivace | Franz Schubert, New York Philharmonic, Alan Gilbert | B♭ Major | 2 | 6B | 133 BPM |