"Six Shades of Bach, Suite 1, Köthen: III. Courante (After J.S. Bach's BWV 1007)" by Johann Sebastian Bach, Max Lilja was released on May 3, 2024. With Six Shades of Bach, Suite 1, Köthen: III. Courante (After J.S. Bach's BWV 1007) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Six Shades of Bach". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Six Shades of Bach, Suite 1, Köthen: III. Courante (After J.S. Bach's BWV 1007)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Shades of Bach, Suite 1, Köthen: III. Courante (After J.S. Bach's BWV 1007) by Johann Sebastian Bach, Max Lilja having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Qinmper | Tempête fluviale | A Minor | 3 | 8A | 116 BPM | ||
Les cadavres | Krzysztof A. Janczak, Airis Quartet | A♭ Major | 0 | 4B | 73 BPM | ||
Kuvan Maailma VIII | Jarno Vanhanen | E Major | 1 | 12B | 132 BPM | ||
Goldberg Variations, BWV 988: Var. 29 | Johann Sebastian Bach, Glenn Gould | G Major | 3 | 9B | 93 BPM | ||
Prelude & Fugue in D Minor, BWV 539 "Fiddle" (Arr. Goedicke for Piano): I. Prelude | Johann Sebastian Bach, Hamish Milne | D Minor | 1 | 7A | 114 BPM | ||
Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | ||
Violin Concerto: II. Warm | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
London Nights | Stan Le Prevost | A Minor | 0 | 8A | 51 BPM |