"Le Lac des cygnes, Acte II Scène 4: II. Danses des cygnes (Tempo di valse)" by Orchestre de Russie, Dmitry Yablonsky was released on October 18, 2017. With Le Lac des cygnes, Acte II Scène 4: II. Danses des cygnes (Tempo di valse) being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky's "Le lac des cygnes" album is number 16 out of 17. In terms of popularity, Le Lac des cygnes, Acte II Scène 4: II. Danses des cygnes (Tempo di valse) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Lac des cygnes, Acte II Scène 4: II. Danses des cygnes (Tempo di valse) by Orchestre de Russie, Dmitry Yablonsky to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 1, Op.46: Anitra's Dance | Paavo Berglund | A Major | 0 | 11B | 140 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
Symphony No.2 in C Minor, op. 17 " Little Russian " : II. Andantino marciale quasi moderato | Philharmonia Slavonica, Alberto Lizzio | E♭ Major | 0 | 5B | 90 BPM | ||
La boda de Luis Alonso, o La noche del encierro: Boleras | Jerónimo Giménez, English Chamber Orchestra, E. García Asensio | C Major | 2 | 8B | 92 BPM | ||
Dark Water | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Le serment | Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky | E♭ Minor | 1 | 2A | 93 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM |