On September 1, 2018, the song "Gaîté Parisienne: Ouverture (d'après La vie parisienne)" was released by Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec. The duration of Gaîté Parisienne: Ouverture (d'après La vie parisienne) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Gaîté Parisienne: Ouverture (d'après La vie parisienne)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestre Symphonique De Québec, Fabien Gabel's "Gaîté parisienne" album is number 14 out of 29. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Gaîté Parisienne: Ouverture (d'après La vie parisienne)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gaîté Parisienne: Ouverture (d'après La vie parisienne) by Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec to be Allegro (fast, quick, and bright) because the track has a tempo of 153 テンポ, a half-time of 76テンポ, and a double-time of 306 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Vivo | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | D Major | 5 | 10B | 163 BPM | ||
Nachtveilchen (Polka Mazur), Op. 170 | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 0 | 8B | 113 BPM | ||
The Gypsy Baron: VI. War-Adventure | Johann Strauss II, Carl Davis, Munich Philharmonic Orchestra | G Major | 2 | 9B | 76 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 160 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Ischler Walzer | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
Segunda visión | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 81 BPM | ||
Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
Mini Danube | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM |