"Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18" by George Frideric Handel, Daniel Hope, Zürcher Kammerorchester was released on February 2, 2024. The duration of Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 42 in Dance! by Daniel Hope, Zürcher Kammerorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Water Music Suite No. 3 in G Major, HWV 350: Rigaudon No. 17 & 18 by George Frideric Handel, Daniel Hope, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto a più istrumenti in D Major, Op. 5, No. 6: V. Allegro (Transcr. for Solo Violin and Chamber Orchestra) | Evaristo Felice Dall'Abaco, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Theodora, HWV 68, Overture: Grave - Allegro | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 2 | 10B | 105 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 3, German Dance in D Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Concert For Violin And Oboe in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Robert Haydon Clark, Consort of London | F Major | 1 | 7B | 95 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM |