"Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia)" by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra was released on January 1, 2016. The duration of Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia) is about 3 minutes long, at 3:09. Based on our data, "Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruggero Leoncavallo, Ermonela Jaho, Riccardo Massi, Stephen Gaertner, Patricia Bardon, BBC Symphony Orchestra, Maurizio Benini's "Leoncavallo: Zazà" album is number 7 out of 54. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: Zazà, Act 3: "Signorina, vi abbiamo spaurita?" (Zaza, Toto, Natalia) by Ruggero Leoncavallo, Maurizio Benini, BBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 テンポ, a half-time of 56テンポ, and a double-time of 226 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gitanerías - 1997 Remastered | Ernesto Lecuona, Morton Gould and His Orchestra | G Minor | 5 | 6A | 145 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Über den Wellen | Juventino Rosas, Vienna Volksoper Orchestra, Franz Bauer-Theussl | G Major | 1 | 9B | 181 BPM | ||
Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
La Traviata (Oper in 3 Akten) | Mirella Freni | D♭ Major | 2 | 3B | 81 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Hungarian Dance No.5 in G Minor | Johannes Brahms, London Symphony Orchestra, Antal Doráti | E♭ Major | 4 | 5B | 153 BPM |