Arthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey made "12. Stay, we must not lose our senses" available on January 1, 1968. With 12. Stay, we must not lose our senses being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 13 out of 40. In terms of popularity, 12. Stay, we must not lose our senses is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 12. Stay, we must not lose our senses by Arthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492 / Act 3: E Susanna non vien!...Dove sono | Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | E♭ Major | 2 | 5B | 109 BPM | ||
23. My eyes are fully open to my awful situation | Arthur Sullivan, Jean Allister, John Reed, Kenneth Sandford, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey | D Major | 3 | 10B | 116 BPM | ||
How Far I'll Go - From "Moana" | Royal Philharmonic Orchestra | E Major | 3 | 12B | 84 BPM | ||
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Minor | 3 | 5A | 112 BPM | ||
Candide / Act I: 7. Candide's Lament | Leonard Bernstein, Jerry Hadley, London Symphony Orchestra | F Major | 0 | 7B | 85 BPM | ||
Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
Verdi: Aida, Act 1:" Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Major | 1 | 9B | 77 BPM | ||
Porter: Kiss Me, Kate, Act II: Where is the Life That Late I Led? | Cole Porter, Dame Josephine Barstow, Thomas Hampson, Kim Criswell, George Dvorsky, Damon Evans, Karla Burns, Ambrosian Singers, John McGlinn, London Sinfonietta | D Minor | 3 | 7A | 77 BPM | ||
Mother’s Broom - from 'Kiki's Delivery Service' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 2 | 8B | 80 BPM | ||
Finale - For He's Gone and Married Yum-Yum from "The Mikado" | James Walker, Royal Philharmonic Orchestra | B♭ Major | 5 | 6B | 116 BPM |