Alexander Glazunov, Slovak Radio Symphony Orchestra's 'Scènes de ballet, Op. 52: Marionettes' came out on January 1, 1991. The duration of Scènes de ballet, Op. 52: Marionettes is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Scènes de ballet, Op. 52: Marionettes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov's "Glazunov: The Seasons / / Scènes De Ballet" album is number 18 out of 24. In terms of popularity, Scènes de ballet, Op. 52: Marionettes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Scènes de ballet, Op. 52: Marionettes by Alexander Glazunov, Slovak Radio Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
The Firebird: Scene 2: Kastchei's spell is broken, his palace disappears, and the Petrified Knights return to life. General Thanksgiving … . | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 1 | 1B | 85 BPM | ||
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
Ballet Suite No. 1 (Ed. Lev Atovmyan): V. Waltz - Joke (The Bolt) | Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra | C Major | 1 | 8B | 118 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
España: Espana | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | F Major | 3 | 7B | 117 BPM | ||
Raymonda, Act III: Variation 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 145 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM |