Stockholm Radio Orchestra made "Monitor (Serenade for Strings Opus. 11 (Marcia))" available on January 1, 2013. With Monitor (Serenade for Strings Opus. 11 (Marcia)) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 32 in All Your Classic TV and Radio Hits!!! (Remastered) by Various Artists. Based on our statistics, Monitor (Serenade for Strings Opus. 11 (Marcia))'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Monitor (Serenade for Strings Opus. 11 (Marcia)) by Stockholm Radio Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Sanger vid havet (Songs at the Sea): No. 1. Ute i skaren | Gösta Nystroem, Aulikki Rautawaara, Stockholm Radio Orchestra, Tor Mann | B♭ Major | 2 | 6B | 101 BPM | ||
I Seraillets have | Wilhelm Stenhammar, Jens Peter Jacobsen, The Real Group | F♯ Major | 1 | 2B | 104 BPM | ||
Serenade For Strings, Op. 11: III. Scherzo | Dag Wirén, Lars-Erik Larsson, Stockholm Radio Orchestra, Stig Westerberg | G Major | 1 | 9B | 109 BPM | ||
Beethoven: Fantasy in C Minor, Op. 80, 'Choral Fantasia': II. Allegretto, ma non troppo - Presto | Ludwig van Beethoven, Chor der Deutschen Staatsoper/Berliner Philharmoniker/Daniel Barenboim, Daniel Barenboim, Berliner Philharmoniker | C Major | 3 | 8B | 81 BPM | ||
Stabat Mater, FP 148: 1. Stabat Mater dolorosa | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
Forkladd gud (The Disguised God), Op. 24: Kring höstlig vaktelds bränder … (Around the glowing watchfire of autumn …) (Baritone, Chorus) | Hillevi Martinpelto, Karl-Magnus Fredriksson, Gustaf Sjökvists Kammarkör, Bjorn Granath, Royal Stockholm Philharmonic Orchestra, Gustaf Sjokvist | C Minor | 2 | 5A | 104 BPM | ||
Romans, Ur Pastoralsvit, Op. 19 | Stockholms Filharmoniska Orkester/Ulf Björlin | E♭ Major | 1 | 5B | 77 BPM | ||
Kopmannen i Venedig (The Merchant of Venice): I. Forspel (Prelude) | Gösta Nystroem, Stockholm Radio Orchestra, Tor Mann | E Minor | 1 | 9A | 63 BPM |