Dag Wirén, Lars-Erik Larsson, Stockholm Radio Orchestra, Stig Westerberg made "Serenade For Strings, Op. 11: III. Scherzo" available on January 1, 2000. The duration of Serenade For Strings, Op. 11: III. Scherzo is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Serenade For Strings, Op. 11: III. Scherzo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Serenade For Strings". In this album, this song's track order is #3. In terms of popularity, Serenade For Strings, Op. 11: III. Scherzo is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Serenade For Strings, Op. 11: III. Scherzo by Dag Wirén, Lars-Erik Larsson, Stockholm Radio Orchestra, Stig Westerberg having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Román népi táncok (Romanian Folk Dances), BB 76: No. 1. Jocul cu bata: Molto moderato | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | A Minor | 0 | 8A | 93 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): IV. The Conversations of Beauty and the Beast (Les entretiens de la belle et de la bete) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | D♭ Minor | 0 | 12A | 91 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM |