"Tenderness (Arr. Campbell)" by Alexandra Pakhmutova, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister was released on June 13, 2018. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Aida Garifullina's "Midnight in Moscow" album is number 2 out of 3. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Tenderness (Arr. Campbell)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenderness (Arr. Campbell) by Alexandra Pakhmutova, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno d'amore | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Song to the Moon | Olga Zinovieva, Antonín Dvořák | G Major | 2 | 9B | 91 BPM | ||
King Arthur Orchestra Suite - Live | Hans Zimmer, Pedro Eustache, Rusanda Panfili, Vienna Radio Symphony Orchestra, Martin Gellner | D Minor | 4 | 7A | 82 BPM | ||
Send in the Clowns (From "A Little Night Music") | Leonard Bernstein, Natalie Dessay, Paris Mozart Orchestra, Claire Gibault | E♭ Major | 1 | 5B | 113 BPM | ||
Una Furtiva Lacrima | Alessio Busanel And His Orchestra | B Minor | 0 | 10A | 180 BPM | ||
Rojotango | Pablo Ziegler, Erwin Schrott | E Minor | 3 | 9A | 136 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Luna: 9. Epílogo | José María Cano, Renée Fleming, The London Ensemble | C Major | 2 | 8B | 82 BPM | ||
Wiegenlied Op. 49 Nr. 4 | Johannes Brahms, Sumi Jo, Klaus-Dieter Barandt, Evgeni Bozhanov | D♭ Major | 0 | 3B | 93 BPM |