"Bach, JS: The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude" by Johann Sebastian Bach, Alexandre Tharaud was released on October 23, 2020. The duration of Bach, JS: The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Bach, JS: The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexandre Tharaud's "Le Poète du piano" album is number 1 out of 63. Based on our statistics, Bach, JS: The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bach, JS: The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude by Johann Sebastian Bach, Alexandre Tharaud to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Alexandre Tharaud | F♯ Major | 0 | 2B | 71 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Alexandre Tharaud | F♯ Minor | 1 | 11A | 77 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Hahn: Le ruban dénoué: No. 2, Les soirs d'Albi | Reynaldo Hahn, Martin James Bartlett, Alexandre Tharaud | F♯ Major | 1 | 2B | 125 BPM |