"Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow"" by Sergei Rachmaninoff, Alexandre Tharaud was released on October 21, 2013. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 23 in Autograph by Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" by Sergei Rachmaninoff, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Mompou: Charmes: II. Pour pénétrer les âmes | Federico Mompou, Alexandre Tharaud | E Minor | 0 | 9A | 175 BPM | ||
Valses nobles et sentimentales: IV. Assez animé | Maurice Ravel, Alexandre Tharaud | E Major | 0 | 12B | 112 BPM | ||
Gnossienne: No. 2 | Erik Satie, Alexandre Tharaud | D Minor | 0 | 7A | 71 BPM | ||
Valse nonchalante en Ré-Bémol Majeur, Op. 110 | Camille Saint-Saëns, Anne Queffélec | D♭ Major | 0 | 3B | 68 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Rameau: Second livre de pièces de clavecin, Suite en mi: V. Le Rappel des oiseaux | Jean-Philippe Rameau, Alexandre Tharaud | G Major | 2 | 9B | 87 BPM | ||
Schubert: 3 Marches militaires, Op. 51, D. 733: No. 1 in D Major | Franz Schubert, Michel Dalberto, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM |