"Le dernier jour d'un condamné / Acte I: Puisque j'ai le moyen d'écrire" by David Alagna, Indra Thomas, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson was released on January 1, 2008. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in David Alagna, Roberto Alagna, Indra Thomas, Richard Rittelmann, Jean-Philippe Lafont, Chœur régional Vittoria d'Ile de France, Orchestre national d'île-de-France, Michel Plasson's "Le Dernier Jour D'Un Condamné" album is number 6 out of 41. On top of that, France appears to be the country where this track was created. Le dernier jour d'un condamné / Acte I: Puisque j'ai le moyen d'écrire is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le dernier jour d'un condamné / Acte I: Puisque j'ai le moyen d'écrire by David Alagna, Indra Thomas, Roberto Alagna, Orchestre national d'île-de-France, Michel Plasson to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Maybe Tomorrow | Alvarotti | G Major | 2 | 9B | 172 BPM | ||
Lake Starnberg | Pino Donaggio | D Major | 1 | 10B | 139 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
The whisper of birches | Constantine Orbelian, Dmitri Hvorostovsky, Moscow Chamber Orchestra | F♯ Minor | 3 | 11A | 90 BPM | ||
Tarantela - Remastered | Gioachino Rossini, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E♭ Minor | 7 | 2A | 135 BPM | ||
Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
Tormento D'amore | Rinaldo & Liriel | G Major | 4 | 9B | 172 BPM | ||
Eternally | Geofrey Parsons, Charlie Chaplin, Alfredo Kraus, Victor Pablo Pérez, Orquesta Sinfonica De Tenerife | E♭ Major | 2 | 5B | 173 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM |