Michal Kleofas Oginski, Belarus Chamber Orchestra of the National Academic Concert Orchestra of Belarus's 'Polonaise No. 13 "Farewells to the Fatherland" in a Minor' came out on June 7, 2018. The duration of Polonaise No. 13 "Farewells to the Fatherland" in a Minor is about 3 minutes long, at 3:23. Based on our data, "Polonaise No. 13 "Farewells to the Fatherland" in a Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 35 in the song's album "Ogiński & Radziwiłł (Gold Edition)". In this album, this song's track order is #1. Polonaise No. 13 "Farewells to the Fatherland" in a Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Polonaise No. 13 "Farewells to the Fatherland" in a Minor by Michal Kleofas Oginski, Belarus Chamber Orchestra of the National Academic Concert Orchestra of Belarus having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Polonaise No. 6 in A-Flat Major, Op. 53 "Heroic" | Frédéric Chopin, Rafał Blechacz | A♭ Major | 3 | 4B | 90 BPM | ||
Polonaise No. 1 Hunting | Maciej Radziwiłł, Michal Kleofas Oginski, The Belarusian Radio Symphony Orchestra | C Major | 1 | 8B | 77 BPM | ||
Die Fledermaus (The Bat), Overture (RV 503-1) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | D Major | 1 | 10B | 99 BPM | ||
Tango - From 'Jalousie et médecine' | Wojciech Kilar | D Minor | 2 | 7A | 127 BPM | ||
Le pavillon d'Armide: Variation - Allegro - Moderato tranquillo - Vivace - Grave. Maestoso e molto sostenuto | Nikolai Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Major | 0 | 12B | 79 BPM | ||
The Snowstorm: IV. Romance | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | B Minor | 1 | 10A | 70 BPM | ||
Romance in E-Flat Major for Piano and Viola | Sergey Bryukhno | E♭ Major | 0 | 5B | 122 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |