"Missa ex B: XXVI. Agnus Dei I - Live at Melk Abbey, 5/30/2004" by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl was released on April 19, 2024. With Missa ex B: XXVI. Agnus Dei I - Live at Melk Abbey, 5/30/2004 being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 29 in Biber: Missa ex B (Live at Melk Abbey, 5/30/2004) by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Missa ex B: XXVI. Agnus Dei I - Live at Melk Abbey, 5/30/2004 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa ex B: XXVI. Agnus Dei I - Live at Melk Abbey, 5/30/2004 by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass of the Americas: II. Kyrie | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Minor | 1 | 9A | 95 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | ||
Duets for 2 Trumpets: Duet No. 11 in G Minor for Two Trumpets | Heinrich Ignaz Franz von Biber, Crispian Steele-Perkins, John Thiessen, Jeanne Lamon, Tafelmusik Baroque Orchestra | D♭ Minor | 0 | 12A | 85 BPM | ||
Missa ex B: XXIV. Pleni sunt coeli - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | F Major | 2 | 7B | 149 BPM | ||
Missa pro defunctis: III. Séquence | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
The Letter | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | F Major | 1 | 7B | 91 BPM | ||
Missa pro defunctis: I. Introit | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | D Major | 2 | 10B | 129 BPM | ||
Johannes-Passion, BWV 245.1: 22. Choral: Durch dein Gefängnis, Gottes Sohn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Regina caeli: I. Regina caeli laetare | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM |