"Presence" by Ian Watson was released on May 1, 2013. With Presence being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "The Tao of Homeopathy". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Presence is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Presence by Ian Watson having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
4 Romantic Pieces, B.150: I. Allegro moderato | Antonín Dvořák, Tamsin Waley-Cohen, Huw Watkins | B♭ Major | 0 | 6B | 97 BPM | ||
Grieg: Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Leif Ove Andsnes, Dmitri Kitayenko, Bergen Philharmonic Orchestra | D♭ Major | 0 | 3B | 56 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Vaughan Williams: The Lark Ascending (Excerpt) | Ralph Vaughan Williams, Andrew Davis, Tasmin Little, BBC Symphony Orchestra | E Minor | 0 | 9A | 174 BPM | ||
Mass No. 8 in C Major, Hob. XXII:8, "Missa Cellensis": Mass No. 8 in C Major, Hob. XXII:8, "Missa Cellensis": IIa. Gratias agimus tibi | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Susan Gritton, Louise Winter, Mark Padmore, Stephen Varcoe, Ian Watson, Collegium Musicum 90 Choir | E♭ Major | 2 | 5B | 47 BPM | ||
Small Town | Peter Sculthorpe, Sydney Symphony Orchestra, Stuart Challender | F Major | 1 | 7B | 138 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM |