"Adams: Nixon in China: Act III - "After that the Sweat Had Soaked My Uniform"" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. The duration of Adams: Nixon in China: Act III - "After that the Sweat Had Soaked My Uniform" is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Adams: Nixon in China: Act III - "After that the Sweat Had Soaked My Uniform"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #38. Adams: Nixon in China: Act III - "After that the Sweat Had Soaked My Uniform" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adams: Nixon in China: Act III - "After that the Sweat Had Soaked My Uniform" by John Adams, Edo de Waart, Orchestra of St. Luke's having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tailleferre: Valse lente | Germaine Tailleferre, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM | ||
Sueno Recurrente | Angélica Negrón, Lara Downes | E♭ Major | 0 | 5B | 83 BPM | ||
Pas trop vite | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 76 BPM | ||
The Firebird (version for piano): Lullaby (The Firebird) | Igor Stravinsky, Idil Biret | A♭ Minor | 0 | 1A | 80 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Musica ricercata No. 7 in B-Flat Major | György Ligeti, Khatia Buniatishvili | E♭ Major | 0 | 5B | 87 BPM | ||
Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM |