"La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. The duration of La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued" is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 11 out of 53. Based on our statistics, La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 1: 11. "Pas De Deux, Nikiya and Solor Continued" by Evergreen Symphony Orchestra, Kevin Galiè to be Allegro (fast, quick, and bright) because the track has a tempo of 137 テンポ, a half-time of 68テンポ, and a double-time of 274 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction) | Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 88 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 139 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Khovanshchina: Vorspiel zum ersten Aufzug: Morgendämmerung über der Moskwa | Modest Mussorgsky, Karl Anton Rickenbacher | F♯ Major | 0 | 2B | 78 BPM | ||
Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | G Minor | 1 | 6A | 105 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 8 (orch. Gal) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 1 | 8A | 146 BPM | ||
La Bayadere, Act I, Scene 2: 19. "Pantomime - Gamzatti with Veil" | Evergreen Symphony Orchestra, Kevin Galiè | B♭ Minor | 0 | 3A | 75 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 84 BPM | ||
Act I: Street Dancer (Minkus) | Mariinsky Orchestra | D Major | 1 | 10B | 87 BPM | ||
Hungarian Dance No.12 in D minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Major | 1 | 7B | 75 BPM |