"Prelude, Op.25" by Gerald Finzi, Aurora Orchestra, Nicholas Collon was released on January 15, 2016. With this song being about 5 minutes long, at 4:30, "Prelude, Op.25" by Gerald Finzi, Aurora Orchestra, Nicholas Collon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 11 out of 19. Prelude, Op.25 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude, Op.25 by Gerald Finzi, Aurora Orchestra, Nicholas Collon to be Lento (slowly) because the track has a tempo of 58 テンポ, a half-time of 29テンポ, and a double-time of 116 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norfolk Rhapsody No. 1 in E minor | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | E Minor | 0 | 9A | 80 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Bach - Fantasy and Fugue in C Minor, Op. 86 (after J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Ransom Wilson, François Dumont | G Minor | 0 | 6A | 68 BPM | ||
Violin Concerto in A minor, Op. 82: 2. Andante | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 1 | 3B | 78 BPM | ||
Bagatelles, Op. 23: No. 2 Romance | Gerald Finzi, Richard Stoltzman, Robert Salter | D Minor | 0 | 7A | 72 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Charterhouse Suite: Rondo | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 55 BPM | ||
Oboe Concerto in C Major, K. 271k / K. 314: II. Andante ma non troppo | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Lithuanian Chamber Orchestra | F Major | 1 | 7B | 136 BPM |