Giuseppe Verdi, Paul Groves, Dwayne Croft, Yanni Yannissis, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'Rigoletto / Act 1: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro)' had a release date set for January 1, 1998. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Rigoletto / Act 1: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine. The song's track number on the album is #18 out of 40 tracks. Rigoletto / Act 1: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act 1: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro) by Giuseppe Verdi, Paul Groves, Dwayne Croft, Yanni Yannissis, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act 1: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro) being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gounod: Faust, CG 4, Act 3 Scene 6: No. 14, Récitatif et Chanson du Roi de Thulé, "Je voudrais bien savoir ... Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
Carmen, Act III: No.21 Morceau d'ensemble : Quant au douanier (Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Le Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
Ponchielli : La Gioconda : Act 2 "Cielo e mar" [Enzo] | Amilcare Ponchielli, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | E♭ Major | 3 | 5B | 146 BPM | ||
Verdi: Messa da Requiem: VIII. Recordare | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Gounod: Faust, CG 4, Act 4 Scene 1: No. 19, Marguerite au Rouet, (b) "Elles ne sont plus là! … Il ne revient pas" (Marguerite, Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
La Traviata: "Ah, Fors'è Lui" and "Sempre Libera" | Francesco Maria Piave, Giuseppe Verdi, Dame Joan Sutherland | F Minor | 1 | 4A | 84 BPM | ||
Der fliegende Holländer / Act 2: "Wie aus der Ferne längst vergang'ner Zeiten" | Richard Wagner, Bernd Weikl, Cheryl Studer, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 1 | 12B | 78 BPM | ||
Salome, Op. 54 / Scene 3: "Lass mich deinen Mund küssen, Jochanaan!" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 0 | 9B | 94 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Stabat Mater | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | C Major | 0 | 8B | 79 BPM |