"Tallis: Mass "Puer natus est nobis" a 7: Gloria" by Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger was released on 1995. Since Tallis: Mass "Puer natus est nobis" a 7: Gloria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Three Tudor Masses - Byrd/Tallis/Tye". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Tallis: Mass "Puer natus est nobis" a 7: Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Mass "Puer natus est nobis" a 7: Gloria by Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Notre Père | Sexteto Cantábile | F♯ Major | 1 | 2B | 84 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
Hawley: Seven Madrigals, Io Son la Primavera | Chanticleer | D Minor | 1 | 7A | 72 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | ||
Dorian Service: Benedictus | Thomas Tallis, Chapelle du Roi, Alistair Dixon | E♭ Major | 0 | 5B | 110 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM |