"Peer Gynt, Op. 23 - Incidental Music: No. 15 Arabian Dance" by Edvard Grieg, Marianne Eklof, Gothenburg Symphony Orchestra, Neeme Järvi, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Gösta Ohlin was released on January 1, 1987. With this song being about 5 minutes long, at 4:52, "Peer Gynt, Op. 23 - Incidental Music: No. 15 Arabian Dance" by Edvard Grieg, Marianne Eklof, Gothenburg Symphony Orchestra, Neeme Järvi, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Gösta Ohlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi's "Grieg: Peer Gynt Op.23" album is number 11 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Peer Gynt, Op. 23 - Incidental Music: No. 15 Arabian Dance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt, Op. 23 - Incidental Music: No. 15 Arabian Dance by Edvard Grieg, Marianne Eklof, Gothenburg Symphony Orchestra, Neeme Järvi, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Gösta Ohlin to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Piano Concerto No. 12 in A Major, K. 414: II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | D Major | 0 | 10B | 112 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
6 Moments musicaux, Op. 16: No. 3, Andante cantabile | Sergei Rachmaninoff, Boris Giltburg | B Minor | 0 | 10A | 103 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 5 Granen (The Spruce) | Jean Sibelius, Håvard Gimse | D Major | 0 | 10B | 68 BPM |