"No One to Love" by Arleen Auger was released on January 1, 2000. The duration of No One to Love is about 3 minutes long, at 3:21. Based on our data, "No One to Love" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 38 in Auger, Arleen: Arias by Arleen Auger. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. No One to Love is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of No One to Love by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Requiem: V. 4. Coro. Mors stupebit | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Minor | 2 | 4A | 113 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Magnificat, RV 610: 3. Et misericordia | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" | Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 4 | 6B | 104 BPM | ||
Bach - Bist du bei mir (If you are near), BWV 508 | Arleen Auger | D Major | 1 | 10B | 113 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 15, Air. "On Mighty Pens Uplifted" (Gabriel) | Joseph Haydn, Arleen Augér/City of Birmingham Symphony Orchestra/Sir Simon Rattle, Arleen Auger, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | F Major | 0 | 7B | 64 BPM | ||
Claudine von Villa Bella, D. 239: No. 6, Liebe schwärmt auf allen Wegen | Franz Schubert, Arleen Auger, Graham Johnson | F Major | 0 | 7B | 144 BPM | ||
St. Matthew Passion, BWV 244: St. Matthew Passion, BWV 244: Aria: Blute nur, du liebes Herz! | Arleen Auger | E♭ Major | 0 | 5B | 88 BPM | ||
6 Lieder, Op. 17, TrV 149: 6 Lieder, Op. 17, TrV 149: No. 2. Standchen | Arleen Auger | F♯ Major | 1 | 2B | 98 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM |