Arthur Grumiaux, Clara Haskil made "Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo" available on May 14, 2013. The duration of Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo is about 3 minutes long, at 3:12. Based on our data, "Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 40 out of 64 in Arthur Grumiaux: The Art of the Violin by Arthur Grumiaux. In terms of popularity, Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Violin Sonata No. 7 in C Minor, Op. 30 No. 2: III. Scherzo by Arthur Grumiaux, Clara Haskil is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole in D Minor, Op. 21: IV. Rondo | Arthur Grumiaux | A Major | 1 | 11B | 157 BPM | ||
Variations on "God Save The King", Op. 9 | Niccolò Paganini, Ruggiero Ricci, Louis Persinger | G Major | 2 | 9B | 94 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, David Shifrin, Emerson String Quartet | D♭ Major | 5 | 3B | 106 BPM | ||
Romance in F Major for Violin and Orchestra, Op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 87 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | ||
Symphony No. 8, Op. 15 No. 6, G. 508: II. Larghetto | Luigi Boccherini, London Mozart Players, Matthias Bamert | C Major | 3 | 8B | 80 BPM |