Die Fledermaus, Act I

Hilde Gueden, Erika Köth, Peter Klein, Regina Resnik, Waldemar Kmentt, Wiener Philharmoniker, Herbert von Karajan, Erich Kunz, Walter Berry, Eberhard Wächter
Die Fledermaus
4:55 2011年9月13日
テンポ
126
キー
E Major
キャメロットミュージックキー
12B

リンクを埋め込む

共有

Die Fledermaus, Act I - Hilde Gueden, Erika Köth, Peter Klein, Regina Resnik, Waldemar Kmentt, Wiener Philharmoniker, Herbert von Karajan, Erich Kunz, Walter Berry, Eberhard Wächter 情報

音響性
90%
ダンサビリティ
50%
エネルギー
18%
手段性
0%
活気
47%
ラウドネス
67%
話し言葉
13%
価数
36%
人気
ラウドネス
-20.092 dB

まとめ

Hilde Gueden, Erika Köth, Peter Klein, Regina Resnik, Waldemar Kmentt, Wiener Philharmoniker, Herbert von Karajan, Erich Kunz, Walter Berry, Eberhard Wächter's 'Die Fledermaus, Act I' came out on September 13, 2011. With this song being about 5 minutes long, at 4:55, "Die Fledermaus, Act I" by Hilde Gueden, Erika Köth, Peter Klein, Regina Resnik, Waldemar Kmentt, Wiener Philharmoniker, Herbert von Karajan, Erich Kunz, Walter Berry, Eberhard Wächter is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 34 in Die Fledermaus by Various Artists. Based on our statistics, Die Fledermaus, Act I's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Die Fledermaus, Act I テンポ

The tempo marking of Die Fledermaus, Act I by Hilde Gueden, Erika Köth, Peter Klein, Regina Resnik, Waldemar Kmentt, Wiener Philharmoniker, Herbert von Karajan, Erich Kunz, Walter Berry, Eberhard Wächter is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Die Fledermaus, Act I キー

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Die Zauberflöte, K. 620: Act II: Aria: Alles fuhlt der Liebe Freuden (Monostatos) by Wolfgang Amadeus Mozart, Fritz Wunderlich, Albert van Haasteren, Maria van Dongen, Jan Derksen, Juliane Farkas, Nel Duval, Reinier Schweppe, Jan Waayer, Sybert van Keeken, Annette de la Bije, Lucienne Bouwman, Annie Delorie, Elly Ameling, Thea van der Steen, Cora Canne Maeyer, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Bernard HaitinkDie Zauberflöte, K. 620: Act II: Aria: Alles fuhlt der Liebe Freuden (Monostatos)Wolfgang Amadeus Mozart, Fritz Wunderlich, Albert van Haasteren, Maria van Dongen, Jan Derksen, Juliane Farkas, Nel Duval, Reinier Schweppe, Jan Waayer, Sybert van Keeken, Annette de la Bije, Lucienne Bouwman, Annie Delorie, Elly Ameling, Thea van der Steen, Cora Canne Maeyer, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Bernard HaitinkE♭ Major25B134 BPM
Le Comte Ory / Act 1: Le Comte Ory / Act 1: "Cet écrit, noble châtelaine"Gioachino Rossini, Stefania Bonfadelli, Marina de Liso, Marie-Ange Todorovitch, Rosella Bevacqua, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-CobosC Major48B115 BPM
Die Fledermaus, Act II by Hilde Gueden, Walter Berry, Peter Klein, Vienna Philharmonic, Regina Resnik, Erich Kunz, Eberhard Wächter, Herbert von Karajan, Waldemar Kmentt, Erika KöthDie Fledermaus, Act IIHilde Gueden, Walter Berry, Peter Klein, Vienna Philharmonic, Regina Resnik, Erich Kunz, Eberhard Wächter, Herbert von Karajan, Waldemar Kmentt, Erika KöthE♭ Major15B65 BPM
5 Sonnets from 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were ChildrenCharles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John AndrewsE Minor09A170 BPM
La Cenerentola / Act 2: La Cenerentola / Act 2: "Son qui"Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyE♭ Major15B122 BPM
Mozart: Alma grande e nobil core, K. 578 by Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen OrtonMozart: Alma grande e nobil core, K. 578Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen OrtonB♭ Major16B89 BPM
Gounod: Roméo et Juliette, Act 2: Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo)Charles Gounod, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux AquitaineD Major210B99 BPM
Alceste, Wq. 44 (Excerpts): Vivre sans toi by Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye NormanAlceste, Wq. 44 (Excerpts): Vivre sans toiChristoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye NormanG Minor26A76 BPM
Te Deum, WAB 45: III. Aeterna fac by Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio ChorusTe Deum, WAB 45: III. Aeterna facAnton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio ChorusD Minor27A123 BPM
Strauss, Johann II: Die Fledermaus, Act 1: Strauss, Johann II: Die Fledermaus, Act 1: "Ach, ich darf nicht hin zu dir! (Adele, Rosalinde, Alfred)Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner RundfunkorchesterG Major19B49 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records