Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tarez Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer's 'Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus)' came out on August 2, 2011. The duration of Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Orff: Orpheus". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus) by Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tarez Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer having a テンポ of 146 with a half-time of 73 テンポ and a double-time of 292 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
The Thieving Magpie: Allegro | Gioachino Rossini, David Parry, Philharmonic Orchestra | F♯ Minor | 2 | 11A | 97 BPM | ||
Aquarium | St. Mark's Philharmonic Orchestra | A Minor | 0 | 8A | 132 BPM | ||
Háry János Suite: V. Intermezzo. Andante maestoso, ma con fuoco | Zoltán Kodály, Lawrence Foster, Cyril Dupuy, Orquestra Gulbenkian | D Minor | 1 | 7A | 111 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" | Carl Orff, John Shirley-Quirk, Norma Burrowes, Southend Boys Choir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 4 | 9A | 132 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): II. Fortune plango vulnera (I lament Fortune's blows) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Minor | 1 | 8A | 107 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Reprise | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM |