"Háry János Suite: V. Intermezzo. Andante maestoso, ma con fuoco" by Zoltán Kodály, Lawrence Foster, Cyril Dupuy, Orquestra Gulbenkian was released on November 1, 2010. With this song being about 5 minutes long, at 5:13, "Háry János Suite: V. Intermezzo. Andante maestoso, ma con fuoco" by Zoltán Kodály, Lawrence Foster, Cyril Dupuy, Orquestra Gulbenkian is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Lawrence Foster, Orquestra Gulbenkian's "Kodály, Bartók & Ligeti" album is number 12 out of 19. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Háry János Suite: V. Intermezzo. Andante maestoso, ma con fuoco is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Háry János Suite: V. Intermezzo. Andante maestoso, ma con fuoco by Zoltán Kodály, Lawrence Foster, Cyril Dupuy, Orquestra Gulbenkian to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
3 Small Tone Poems: No. 3. Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 95 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 5. Allegretto | Lajos Lencsés, Zoltán Kodály, Budapest Strings | F Major | 2 | 7B | 104 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo – Allegro | Franz Joseph Haydn, Pavel Gomziakov, Erik Heide, Orquestra Gulbenkian | D Major | 1 | 10B | 137 BPM | ||
Requiem in C Minor: Offertorium | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Major | 1 | 8B | 87 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM |