"Trois Morceaux Pour Piano: III. Cortège" by Lili Boulanger, Marissa Kerbel was released on November 23, 2023. With Trois Morceaux Pour Piano: III. Cortège being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lili Boulanger, Marissa Kerbel's "In 24 Years: The Music of Lili Boulanger" album is number 5 out of 8. On top of that, United States appears to be the country where this track was created. Trois Morceaux Pour Piano: III. Cortège is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trois Morceaux Pour Piano: III. Cortège by Lili Boulanger, Marissa Kerbel to be Larghetto (rather broadly) because the track has a tempo of 65 テンポ, a half-time of 32テンポ, and a double-time of 130 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Tonkünstler-Orchester, Yutaka Sado | B♭ Major | 1 | 6B | 92 BPM | ||
Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Bertrand Chamayou | B Major | 0 | 1B | 69 BPM | ||
Piano Concerto, Op. 38: 2. Moderato | Samuel Barber, Elizabeth Joy Roe, London Symphony Orchestra, Emil Tabakov | D Major | 1 | 10B | 110 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Joanne Polk | E♭ Minor | 0 | 2A | 65 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM |