"Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe)" by Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse was released on 1991. Since Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse's "Gounod: Faust" album is number 3 out of 64. On top of that, France appears to be the country where this track was created. In terms of popularity, Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) by Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Thais, Act II: Meditation (arr. M.P. Marsick) | Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó | D Major | 1 | 10B | 84 BPM | ||
Thais: Méditation de Thais - Arr. for Violin and Piano | Jules Massenet, Pierre Amoyal, Bruno Canino | D Major | 1 | 10B | 95 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Jenő Jandó | D♭ Minor | 0 | 12A | 163 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |