Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe)

Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse
Gounod: Faust
6:46 1991日
テンポ
94
キー
A Minor
キャメロットミュージックキー
8A

リンクを埋め込む

共有

Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) - Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse 情報

音響性
98%
ダンサビリティ
20%
エネルギー
6%
手段性
34%
活気
18%
ラウドネス
57%
話し言葉
4%
価数
5%
人気
ラウドネス
-25.944 dB

まとめ

"Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe)" by Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse was released on 1991. Since Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse's "Gounod: Faust" album is number 3 out of 64. On top of that, France appears to be the country where this track was created. In terms of popularity, Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) テンポ

We consider the tempo marking of Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) by Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Gounod: Faust, CG 4, Act 3 Scene 8: No. 16, Quatuor, (a) "Prenez mon bras un moment!" (Faust, Marguerite, Méphistophélès, Marthe) キー

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Cello Concerto No. 1 in G Major: II. Romance: Andantino by Carl Stamitz, Christian Benda, Prague Chamber OrchestraCello Concerto No. 1 in G Major: II. Romance: AndantinoCarl Stamitz, Christian Benda, Prague Chamber OrchestraB♭ Major06B91 BPM
Elgar: Salut d'amour by Edward Elgar, Kyung Wha Chung, Kevin KennerElgar: Salut d'amourEdward Elgar, Kyung Wha Chung, Kevin KennerE Major112B79 BPM
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) by Frédéric Chopin, Magdalena HoffmannWaltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor)Frédéric Chopin, Magdalena HoffmannA♭ Minor11A127 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Thais, Act II: Meditation (arr. M.P. Marsick) by Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő JandóThais, Act II: Meditation (arr. M.P. Marsick)Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő JandóD Major110B84 BPM
Thais: Méditation de Thais - Arr. for Violin and Piano by Jules Massenet, Pierre Amoyal, Bruno CaninoThais: Méditation de Thais - Arr. for Violin and PianoJules Massenet, Pierre Amoyal, Bruno CaninoD Major110B95 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenutoLudwig van Beethoven, Jenő JandóD♭ Minor012A163 BPM
Sinfonia in C major, RV 112: I. Allegro by Karoly BotvaySinfonia in C major, RV 112: I. AllegroKaroly BotvayG Major29B119 BPM
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) by Niccolò Paganini, Jan VoglerCantabile, MS 109/Op. 17 (Arr. for Cello and Guitar)Niccolò Paganini, Jan VoglerD Major310B124 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
ISRC
FRZ119100400
レコードレーベル
L-M Records/RCA Records