On January 1, 2004, the song "Radetzky March, Op. 228 (arr. T. Baynov): Radetsky March, Op. 228 (arr. for piano 6 hands)" was released by Johann Strauss I, Tomislav Baynov, Baynov Piano Ensemble. The duration of Radetzky March, Op. 228 (arr. T. Baynov): Radetsky March, Op. 228 (arr. for piano 6 hands) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Radetzky March, Op. 228 (arr. T. Baynov): Radetsky March, Op. 228 (arr. for piano 6 hands)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Piano Ensemble Recital: Baynov Piano Ensemble - Strauss I / Felix, C.-H. / Wolff, O.L.B. / Ravina, J.H. / Chabrier, E. (6 Hands On 1 Piano, Vol. 3)". In this album, this song's track order is #1. In terms of popularity, Radetzky March, Op. 228 (arr. T. Baynov): Radetsky March, Op. 228 (arr. for piano 6 hands) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Radetzky March, Op. 228 (arr. T. Baynov): Radetsky March, Op. 228 (arr. for piano 6 hands) by Johann Strauss I, Tomislav Baynov, Baynov Piano Ensemble having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frederika Polka, Op. 239 | Johann Strauss I, Slovak Sinfonietta Zilina, Christian Pollack | B♭ Major | 5 | 6B | 101 BPM | ||
Radetzky March, Op. 228 (arr. for piano 6 hands) | Anonymous, Johann Strauss I, Baynov Piano Ensemble | A Major | 2 | 11B | 113 BPM | ||
Britta Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 87 BPM | ||
Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata | Johann Sebastian Bach, Wayne Marshall | D Major | 1 | 10B | 88 BPM | ||
Martha-Quadrille, Op. 215 (supplementary optional movements 2, 5, 6) | Johann Strauss I, Slovak Sinfonietta Zilina, Christian Pollack | D Major | 3 | 10B | 143 BPM | ||
Coppelia: Act I - Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 82 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM |