"Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard)" by Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg was released on September 24, 2021. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 18 in Baritenor by Michael Spyres. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Méhul: Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) by Étienne Nicolas Méhul, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Carmen / Act 2: Toreador Song: "Votre toast, je peux vous le rendre" (from Carmen / Act 2) | Georges Bizet, Barry Wordsworth, Bryn Terfel, London Symphony Orchestra | B♭ Minor | 4 | 3A | 112 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | G Major | 0 | 9B | 112 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Concert de Trompettes: Prélude avec les trompettes, Rondeau | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 3 | 8B | 136 BPM | ||
L'irato, ou L'emporte: Air: Mais que dis-je? (Scapin) | Étienne Nicolas Méhul, Miljenko Turk, Cyril Auvity, Pauline Courtin, Alain Buet, Svenja Hempel, Georg Poplutz, Bonner Chamber Choir, Arte del mondo, L', Werner Ehrhardt | A Major | 2 | 11B | 126 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |