"Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live" by Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski was released on January 1, 2005. The duration of Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rameau: Une symphonie imaginaire". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live by Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Ensemble Musique Oblique | A Minor | 0 | 8A | 127 BPM | ||
Offenbach: La belle Hélène, Act 1: "Voici les rois de la Grèce" (Chorus, Ajax premier, Ajax deuxième, Oreste, Calchas, Achille, Ménélas, Pâris, Agamemnon) | Jacques Offenbach, Marc Minkowski, Yann Beuron, Francois Le Roux, Éric Huchet, Alain Gabriel, Les Musiciens du Louvre.Grenoble, Laurent Alvaro, Choeur des Musiciens du Louvre, Laurent Naouri, Marie-Ange Todorovitch, Michel Sénéchal | E♭ Major | 3 | 5B | 84 BPM | ||
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | A♭ Major | 4 | 4B | 126 BPM | ||
Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Suite española, Op. 47: Asturias (Leyenda) - Excerpt | Isaac Albéniz, Narciso Yepes | E Minor | 1 | 9A | 82 BPM | ||
La chauve-souris : Ouverture | Johann Strauss II, Orchestre Symphonique De Radio-Télé-Luxembourg, Pierre Cao | B Minor | 2 | 10A | 80 BPM | ||
Carmen, WD 31 / Act 1: Prelude to Act 1 - Excerpt | Georges Bizet, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Major | 4 | 11B | 136 BPM |