"Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live" by Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski was released on January 1, 2005. The duration of Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rameau: Une symphonie imaginaire". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. In terms of popularity, Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les indes galantes / Act 9: 4.14 Danse des Sauvages - Live by Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Arcadi Volodos | B Minor | 0 | 10A | 69 BPM | ||
Romeo and Juliet, Op. 64 / Act I: XIII. Dance of the Knights | Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa | C Major | 1 | 8B | 102 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 11 Le Vertigo - Rondeau | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | F Minor | 3 | 4A | 129 BPM | ||
Artaserse: Ouverture | Christophe Rousset, Les Talens Lyriques, Johann Adolf Hasse | D♭ Major | 1 | 3B | 134 BPM | ||
Offenbach: La belle Hélène: Overture (Allegro - Allegro non troppo - Allegro) | Jacques Offenbach, Marc Minkowski, Les Musiciens du Louvre.Grenoble | A Major | 2 | 11B | 82 BPM | ||
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM |