Igor Stravinsky, Orpheus Chamber Orchestra's 'Orpheus - Ballet in 3 Scenes / 1st scene: Air de danse' had a release date set for January 1, 1999. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Stravinsky: Orpheus; Danses concertantes". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Orpheus - Ballet in 3 Scenes / 1st scene: Air de danse is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Orpheus - Ballet in 3 Scenes / 1st scene: Air de danse by Igor Stravinsky, Orpheus Chamber Orchestra having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rite of Spring: Part One: Adoration of the Earth: Dance of the Earth | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 5 | 9B | 89 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: IV. Allegretto (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 120 BPM | ||
Symphony for Strings in A-Flat, Op. 118a: II. Allegretto furioso (Transcribed from String Quartet No. 10) | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | G Major | 0 | 9B | 69 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |