Pietro Mascagni, Juan Pons, Philharmonia Orchestra, Giuseppe Sinopoli, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton's 'Cavalleria rusticana: Il cavallo scalpita' came out on January 1, 1990. The duration of Cavalleria rusticana: Il cavallo scalpita is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Cavalleria rusticana: Il cavallo scalpita's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli, Agnes Baltsa, Plácido Domingo, Vera Baniewicz, Juan Pons, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton's "Mascagni: Cavalleria Rusticana" album is number 8 out of 22. Based on our statistics, Cavalleria rusticana: Il cavallo scalpita's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: Il cavallo scalpita by Pietro Mascagni, Juan Pons, Philharmonia Orchestra, Giuseppe Sinopoli, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Cavalleria Rusticana: Romanza di Santuzza e Scena Santuzza e Lucia | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Carolina López Moreno, Elisabetta Fiorillo | E♭ Major | 1 | 5B | 76 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Eugen Jochum, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 89 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | D Major | 0 | 10B | 93 BPM |