Tbilisi Symphony Orchestra, Jansug Kakhidze's 'The Firebird, Symphonic Suite (1919) : Infernal Dance of Kashey's Subjects' came out on January 1, 2003. With this song being about 5 minutes long, at 4:39, "The Firebird, Symphonic Suite (1919) : Infernal Dance of Kashey's Subjects" by Tbilisi Symphony Orchestra, Jansug Kakhidze is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Prokofiev, Ballet Highlights; Stravinsky, Ballet Highlights". In this album, this song's track order is #18. The Firebird, Symphonic Suite (1919) : Infernal Dance of Kashey's Subjects is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird, Symphonic Suite (1919) : Infernal Dance of Kashey's Subjects by Tbilisi Symphony Orchestra, Jansug Kakhidze having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from Original Sound music of film Pan Tadeusz - 6 | Wojciech Kilar, 中國愛樂樂團 | F♯ Major | 4 | 2B | 88 BPM | ||
Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: III. German: Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 58 BPM | ||
8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM | ||
Daphnis et Chloé, Suite No.2 | Tbilisi Symphony Orchestra, Jansug Kakhidze | B Minor | 1 | 10A | 81 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Meow Mewo Running Meow | AlyMusicGroup | A Major | 0 | 11B | 115 BPM | ||
Romeo and Juliet, Op. 64 : Masks (Suite No.1, Op.64b, No.5) | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | B♭ Major | 2 | 6B | 165 BPM |