"The Messiah: Part. I, Accompagnato (Comfort ye, my people" by Lithuanian Chamber Orchestra was released on November 28, 2008. The duration of The Messiah: Part. I, Accompagnato (Comfort ye, my people is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Messiah: Part. I, Accompagnato (Comfort ye, my people's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #2. In terms of popularity, The Messiah: Part. I, Accompagnato (Comfort ye, my people is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Messiah: Part. I, Accompagnato (Comfort ye, my people by Lithuanian Chamber Orchestra having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
La forza del destino (The force of destiny) : Overture | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 1 | 11B | 111 BPM | ||
茶花女 | 上海音协乐队 | G Major | 3 | 9B | 109 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
From Holberg's Time, Op. 40: V. Rigaudon: Allegro con brio | Edvard Grieg, Moscow Soloists, Yuri Bashmet | C Major | 0 | 8B | 109 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Trumpet Concerto in C Major, Op. 2, No. 10: I. Grave adagio - Transcr. by Timofey Dokshizer | Tomaso Albinoni, Lithuanian Chamber Orchestra, Saulius Sondeckis, Timofey Dokshizer | C Major | 2 | 8B | 62 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: Scherzo: Allegro molto | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | B Major | 1 | 1B | 153 BPM |