"L'incoronazione di Poppea / Act 3: Pur ti miro" by Claudio Monteverdi, Danielle de Niese, Andreas Scholl, The English Concert, Harry Bicket was released on January 1, 2011. With this song being about 5 minutes long, at 4:34, "L'incoronazione di Poppea / Act 3: Pur ti miro" by Claudio Monteverdi, Danielle de Niese, Andreas Scholl, The English Concert, Harry Bicket is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 13 in Beauty Of The Baroque by Danielle de Niese, The English Concert, Harry Bicket. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, L'incoronazione di Poppea / Act 3: Pur ti miro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'incoronazione di Poppea / Act 3: Pur ti miro by Claudio Monteverdi, Danielle de Niese, Andreas Scholl, The English Concert, Harry Bicket is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
La Rondine / Act 2: "Bevo al tuo fresco sorriso" | Giacomo Puccini, Renée Fleming, Jonas Kaufmann, Barbara Vignudelli, Paolo Cautoruccio, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | E♭ Major | 3 | 5B | 83 BPM | ||
Ständchen, D. 920 | Franz Schubert, Anne Sofie von Otter, Bengt Forsberg, Swedish Radio Choir, Gunnar Andersson | C Major | 3 | 8B | 103 BPM | ||
Études Latines: "Tyndaris" | Reynaldo Hahn, Susan Graham | A♭ Major | 0 | 4B | 106 BPM | ||
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Il Medo / Act 1: Cervo in bosco | Leonardo Vinci, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 133 BPM | ||
Boretti: Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 82 BPM | ||
Ouverture-Suite in G Minor, TWV 55:g4: IV. Les Capricieuses | Georg Philipp Telemann, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 137 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM |