Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury's 'Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri' came out on March 18, 2002. With Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Gloria, RV 589 - Dixit Dominus, RV 594 & Magnificat, RV 610 by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury. The song's track number on the album is #20 out of 30 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Vivaldi: Dixit Dominus in D Major, RV 594: IX. Gloria Patri being at 112 テンポ, the half-time would be 56 テンポ with a double-time of 224 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Xerxes Ballet: Air pour les matelots jouants des trompettes marines | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 139 BPM | ||
L'Orfeo, Atto quarto: IV. Sinfonia a 7 - E la virtute un raggio | Claudio Monteverdi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 76 BPM | ||
Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes | Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | E♭ Major | 1 | 5B | 97 BPM | ||
Suite “Alster”, en Fa Majeur: V. Der Schwanen Gesang | Georg Philipp Telemann, Akademie für Alte Musik Berlin | E Minor | 0 | 9A | 87 BPM | ||
Trio in E flat major / Mi bémol majeur / Es-dur: I. Affettuoso | Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester | D Major | 1 | 10B | 90 BPM | ||
Symphony No.4 in F Major: 2. Vivace ma non troppo | William Boyce, Academy of Ancient Music, Christopher Hogwood | E Major | 0 | 12B | 94 BPM | ||
Two Elizabethan Part Songs: Willow Song | Ralph Vaughan Williams, Choir of King's College, Cambridge, Sir David Willcocks | D♭ Major | 2 | 3B | 100 BPM | ||
Pergolesi: Stabat Mater: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 3 | 11B | 119 BPM | ||
Dido and Aeneas / Act 1: "Pursue thy conquest, love" | Henry Purcell, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | B Major | 1 | 1B | 116 BPM | ||
Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM |